Let’s Be Creative: What’s new in creativity research?

Philip Fine tells us about a newly published eBook looking at novel ways of researching creativity.


Frontiers

Though creativity has many definitions, it essentially describes behaviours which lead to novel and meaningful products and outcomes. We can observe creativity in all domains of human behaviour, thought and experience, including creative cognition and problem-solving (divergent thinking and insight), artistic performance (music, dance) and creative design and production (art, design, fashion).

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The State of the Creative Art: What’s new in creativity research?

Philip Fine tells us about a new collection of articles looking at novel ways of researching creativity.


Frontiers

What is creativity? Why are some people more creative than others? What do we know about the creative process? How do people decide whether one product is more creative than another? 

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Creativity ‘special issue’ – call for participation!

Novel Approaches for Studying Creativity in Problem-Solving and Artistic Performance – a Frontiers in Psychology Research Topic, coming out in March 2018

Kathryn Friedlander invites creativity researchers world-wide to contribute to an exciting Frontiers in Psychology Research Topic, which went live last week.


Shouldn’t research into ‘creativity’ be pretty creative itself?

Philip Fine and I certainly think so, which is why we’ve been working with Frontiers in Psychology over the past few months to launch a new Research Topic looking at Novel Approaches for Studying Creativity in Problem-Solving and Artistic Performance. The topic went live last week, and together with our other co-editors Roger Kneebone, Ian Hocking, Amory Danek and Bill Thompson we are busy advertising this opportunity as widely as possible, to connect with potential contributors. Do you fit the bill?

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“Darling, they’re playing our song … I think!” – Mondegreens and misheard lyrics

Philip Fine discusses research revealing the factors behind how well we understand song lyrics


Have you ever wondered why you can’t always understand the words someone is singing? Or why operatic sopranos are so hard to understand? And why the words are usually clearer in folk than in heavy rock?

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Gladly, the Cross-Eyed Bear?

Sometimes we mishear the lyrics, and this is such a common phenomenon that there’s even a word for it: Mondegreen, coined in 1954, which comes from a mishearing of the ballad line  ‘laid him on the green’ as ‘Lady Mondegreen’. Other well-known examples include the hymn line ‘Gladly the Cross-Eyed Bear’ (think teddy with a squint) and ‘O Four Tuna’ (‘O Fortuna’ from the start of Carl Orff’s Carmina Burana).

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What’s it all about?

Ever wondered why some people are better at playing the violin than others?  Mystified by those who knock off the Times cryptic crossword in only 5 minutes? Curious as to why some people pursue niche hobbies – like campanology, mycology or button-collecting?

Want to know what makes people creative (or not), and how creative thinking might be enhanced? So do we!

Based at the University of Buckingham, our CREATE research hub is dedicated to probing these questions, and more. Together with our guest bloggers and collaborators from other Universities, we’ll be sharing our thoughts and discoveries along the way.

Want to get in touch or write something for us? Leave a comment below, or check out our About page to find out more. Or contact us here.